South African art director and illustrator Rendani Nemakhavhani first created the persona PR$DNT HONEY during the 2019 South African national elections. Under this moniker, she continues to create works celebrating the lives of Black women.
Like many artists, David Shrobe look to his past and his home to inspire his creations. Unlike many artists, Shrobe physically incorporates parts of his history into his creations. With a family history that can be traced almost a century back, Shrobe has inherited some items rich with stories. In turn, he incorporates these historical items into a similarly charged artwork about identities and history.
For artist Tariku Shiferaw, the mark is a concept that he constantly grapples with. A mark is a way for humans to leave behind their presence. When used purposefully, it becomes a storytelling tool that’s utilized as early as the presence of the cave marks. When simplified, a mark becomes a line. It’s a feature that’s heavily repeated in Shiferaw’s works. It’s present in the painted lines he creates or the shipping crates he utilized.
Partially influenced by his medical background, artist Nate Lewis explores history using patterns, textures, and rhythm.
Both in grandness, color, and composition, Ballon’s works evoke the same aura as Christian arts of yore. Mixed with the contemporariness of Ballon’s subjects, his work becomes a powerful message of the lives and plight of the modern Black people.
There is an avant-garde quality to Samuel’s photographs. True to his mission, Samuel utilizes whatever he could get his hands on to create his highly conceptual works.
Having spent years as a professional dancer, Djeneba Aduayom spent her life thinking about movement and the human body. After an injury caused her to rethink her life and career, she picked up a camera and began exploring the human body in another way.
Beneath the chaotic lines lie the heart and soul of the work, the people of Baltimore themselves.
Available from the 19th of September 2020 to the 3rd of January 2021, the new exhibition ‘Trembling Landscape:Between Reality and Fiction’ brings together eleven artists from North Africa and the Middle East. Presented at the EYE FILM Museum in Amsterdam, these engaged and versatile artists look at landscapes from a novel and critical stand. Not only exploring the question of borders, these artists bring to life stories about landscapes’ past, present and future.
Tadeas Podracky is an artist based between Eindhoven and Prague, and his graduation project is bringing light to the concept of “Metamorphosis”. Podracky believes that “design has rendered our environment impersonable”. Furniture are being massively and extensively produced, and to escape these impersonal environments, we tend to escape to virtual words.
Hailed as one of the most innovative artists from Africa, Victor Ehikhamenor creates stunning visual masterpieces inspired by his African roots.
With techniques both seen in graffiti art and abstract expressionist paintings, Jansen’s paintings are full of colors and textures.
Her series with fellow photographer Loïc Hoquet, titles Malaïka Dotou Sankofa, won the Leopold-Sédar-Senghor Grand Prix, the top prize for the Dakar Bienalle of Contemporary Art. It’s a stunning series that comments on how the media portrays Africa. The series is built with layers upon layers of symbolism finished with an impeccable aesthetic sheen. An androgynously-dressed model bears wings made of fabrics created by the Baye Fall Muslim religious community in Senegal. It is a poignant commentary on how the African body is often hidden or manipulated to fit the mold of Western society.
As a Nigerian, he draws inspiration from his surroundings, telling the stories of friends and families and their resilience and pride within this world
Characteristic vividness of colors in sharp contrast to his dark-skinned models capture a spectator’s eye more than easily. Exactly that is what 25-year-old Yannis Davy Guibinga aims to emphasise through his lens: the revolutionary voice of the modern African continent, perspective shift on African ethnicities and their identity in post-colonial times.
Massey’s works are always rooted in the African American vernacular and their experiences. She draws inspiration from a variety of topics, like the hip hop scene or the beauty shops, commenting on racial stereotypes and class separation.
Rewa has been creative most of her life. That creative tendency was often directed towards her financial career as a manager to solve issues and come up with marketing strategies. In 2016, needing a truly creative outlet, Rewa picked up a brush and started painting. She hasn’t looked back. In 2020, she sold thousands of dollars of her paintings in international markets.
Mous said: "Two people kissing under a scarf has been read as being about homosexuality or two people meeting for the first time after a wedding…For me it's just nice to start the conversation and make you think because normality doesn't actually exist."
For African women, hair and beauty is an integral part of their lives. Yet the current discussion of African hairstyles is often seen through a colonial, western civilization lens, without any thoughts on the pre-colonial times and what it actually means to African women. Nigerian-German artist Ngozi Schommers tackles this issue, and many others unique to African women, in her transcendent works.
In reality the colourful pattern splattered on the entire body does the exact opposite, it takes away identity. It mystifies race and betters our understanding of whatever other political statement Emmett is exploring in a single piece. It is also a reflection of the word coloured which is the way in which African Natives of many racial origins refer to each other.
She has since created many works that explore femininity and female empowerment and reflect her identity as a woman in today’s society.
Ghanaian artist Kwame Acheampong perfectly captures the essence of his seaside town, Jamestown, Accra, with his camera. Using bold colors and composition, Acheampong records the spirit and soul of the people from his town. They’re both playful and hard workers, but also not entirely devoid of their own misgivings and troubles.
For Harper his arthas been a way to translate the wide range of shades and body types that sitwithin the African Diaspora into art. His work therefore showcases the diversitythat exists within blackness.
Her main aim in her pieces to show humanity within Black women against the more common narrative built by society today. Which is also why nature is very prominent in her paintings as well, alluding to representing the true essence of black women. She introduces a new perspective on Black women and who they are - confident and comfortable.
Portraits in high black and white contrast, Zanele Muholi proposes a visually appealing and engaged work rooted in her affirmed ‘visual activism’...